Andrea Dunbar’s teeth weren’t black. “Brush ’em every day, twice,” she indignantly says while scanning a tabloid profile that paints her as “a genius from the slums”. Dunbar, a playwright whose raw tales of working-class life took her from a Bradford estate to the Royal Court and the multiplexes, is never comfortable with the attention her talent brings; Stripe’s affectionate, unsentimental debut novel reveals a young woman who struggled constantly with her writing and the people around her. Dunbar grows up on the Buttershaw estate, a place of gossip, daytime drinking and waiting for the giro. Even Bradford feels like another world, but Dunbar’s early writing, encouraged by a teacher after she has a miscarriage at 15, is impossibly exotic to the London literati. Stripe tells of her success via Rita, Sue and Bob Too, as well as alcoholism, domestic violence and self-sabotage. Stripe’s narration can feel a little flat compared with her dialogue, which snaps and prickles and brings a talented, troubled woman to life. But she gives an important story a real spark: Dunbar’s energy and mischief bubble in the bleakness.
comments (…)
Sign in or create your Hlcarpenter.com account to join the discussion.comments (…)
Sign in or create your Hlcarpenter.com account to join the discussion.