Amour
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A celebration of TV’s voice of golf, hitching a ride with centenarian drivers, learning the uncomfortable truth about slave-owner compensation, escaping Islamic State, and understanding autism’s effects on girls
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Once film-makers made terminal illness as ambiguous as possible, but after the Aids epidemic audiences have been given more honest portrayals of death
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We are now midway through the 2010s. So what trends are emerging in cinema? Peter Bradshaw takes a look – and picks his top 50 films of the demi-decade
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Michael Haneke's Amour is calm, unblinking and heartbreaking, writes Mark Kermode
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Margaret Morganroth Gullette: Enamoured as we are by Michael Haneke's Oscar-winning film, we're missing the dangerous social fallacies at its core
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Michael Haneke's latest story of an octogenarian nursing his dying wife is brave and beautiful, but beware if you're over the age of 60
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The Master reigns in second place, while Anne Hathaway and Helena Bonham Carter feted for Les Miserables
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From Les Misérables to Amour, all the film winners, in descending order of number of wins
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Easy online access to foreign films of all eras has broadened the horizons of British cinema fans
Facing the fear: cinema finally confronts the reality of dementia