It’s been 22 years since the dubious Puerto Rican appeared in the Coen brothers’ classic – and 46 since Les Valseuses, the French sex comedy John Turturro has loosely adapted for Jesus’s comeback. Welcome to the world of the cinematic crossover
Gangsters, superheroes, schoolkids, lovers, slaves, peasants, techies, Tenenbaums and freefalling astronauts – they’re all here in our countdown of cinema’s best movies since 2000
Sebastián Lelio has transported his drama Gloria to the US with Gloria Bell, the latest in a long line of film-makers taking a second stab at earlier work
Featuring Coen brothers masterpieces and an astonishing run by Michael Haneke, this was the decade in which film rediscovered its history – and explored its future – thanks to digital technology
Oscar-winner Michael Haneke can be as tough to interview as his films can be to watch. So what happened when our writer confessed to being the creator of a parody Twitter account that turned him into a tween-talking cat-lover?
Kicking off our guide to the season’s cultural highlights, we head to the cinema for the return of Blade Runner, a tale of taboo sex and Armando Iannucci’s stunning Stalin satire. Here are the 20 films we’re most looking forward to this autumn
Sofia Coppola’s La Traviata was slated on its Rome premiere. But will a cinema audience have an entirely different perspective? Stuart Jeffries wonders whether an outsider’s eye is an advantage for an art form increasingly consumed outside the opera house
This year’s event took in the migrant crisis, Russian authoritarianism, sulky sculptors – and even introduced us to a loveable pig. There was plenty to enjoy
The big premieres on the sixth day at Cannes film festival were The Killing of a Sacred Deer (from director Yorgos Lanthimos) and Michael Haneke’s Happy End
The Austrian director returns to many of his classic themes in a stark, unforgiving and gripping satire on bourgeois Europeans and the people who serve them
Nicole Kidman and Tilda Swinton head for the red carpet as Vanessa Redgrave unveils her directorial debut – and virtual reality arrives on the Croisette
The big premieres on the sixth day at Cannes film festival were The Killing of a Sacred Deer (from director Yorgos Lanthimos) and Michael Haneke’s Happy End
Best culture of the 21st century The 100 best films of the 21st century