Michael Haneke
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It’s been 22 years since the dubious Puerto Rican appeared in the Coen brothers’ classic – and 46 since Les Valseuses, the French sex comedy John Turturro has loosely adapted for Jesus’s comeback. Welcome to the world of the cinematic crossover
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Mubi pays tribute to one of the most magnetic actors in contemporary cinema
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The US film-maker on creative burnout, working with Scott Walker and his new film starring Natalie Portman as a messed-up pop star
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Sebastián Lelio has transported his drama Gloria to the US with Gloria Bell, the latest in a long line of film-makers taking a second stab at earlier work
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The 90s was a decade that saw the rebirth of the American indie and thrilling blockbusters that weren’t reliant on superheroes
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Featuring Coen brothers masterpieces and an astonishing run by Michael Haneke, this was the decade in which film rediscovered its history – and explored its future – thanks to digital technology
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Austrian film-maker says that movement against sexual assault has prompted a ‘crusade against any form of eroticism’ that belongs in Middle Ages
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Austrian confirms he is working on Kelvin’s Book, an English language dystopian drama
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Oscar-winner Michael Haneke can be as tough to interview as his films can be to watch. So what happened when our writer confessed to being the creator of a parody Twitter account that turned him into a tween-talking cat-lover?
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Kicking off our guide to the season’s cultural highlights, we head to the cinema for the return of Blade Runner, a tale of taboo sex and Armando Iannucci’s stunning Stalin satire. Here are the 20 films we’re most looking forward to this autumn
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Music blog Opera's Faustian pact: is a cinema director's vision what the genre needs?
Stuart JeffriesSofia Coppola’s La Traviata was slated on its Rome premiere. But will a cinema audience have an entirely different perspective? Stuart Jeffries wonders whether an outsider’s eye is an advantage for an art form increasingly consumed outside the opera house
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This year’s event took in the migrant crisis, Russian authoritarianism, sulky sculptors – and even introduced us to a loveable pig. There was plenty to enjoy
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The big premieres on the sixth day at Cannes film festival were The Killing of a Sacred Deer (from director Yorgos Lanthimos) and Michael Haneke’s Happy EndGallery
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5 out of 5 stars.The Austrian director returns to many of his classic themes in a stark, unforgiving and gripping satire on bourgeois Europeans and the people who serve them
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Nicole Kidman and Tilda Swinton head for the red carpet as Vanessa Redgrave unveils her directorial debut – and virtual reality arrives on the Croisette
Best culture of the 21st century The 100 best films of the 21st century