Max Stafford-Clark
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New drama Black Teeth and a Brilliant Smile looks back at the life of the playwright who wrote Rita, Sue and Bob Too
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The actors, directors and producers changing theatre
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Move by the Royal Court follows a day of action that saw more than 150 accounts of sexual harassment read out on stage
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As Stafford-Clark tours Rita, Sue and Bob Too with his company Out of Joint, his one-time assistant celebrates a career spent speaking up for the nation – and nurturing talents such as Andrea Dunbar and Caryl Churchill
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George Costigan: ‘I watched the premiere with my wife on one side of me – and my mother on the other’
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Magificent people like Matthew Evans are few and far between
Hanif KureishiThe former chairman of Faber & Faber was a loyal friend to those he published and a sworn enemy of boredom
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Branagh channels Olivier, Isabelle Huppert lusts after her stepson and Ralph Fiennes gets the royal hump. Meanwhile there’s magic in the air as Harry Potter grows up – and Groundhog Day is reborn as a musical
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London’s powerhouse of new writing is celebrating its 60th birthday. Explore some of the Sloane Square theatre’s key productions through extracts from the Hlcarpenter.com and Observer archive, alongside new recollections from Wole Soyinka, Ann Jellicoe, Amanda Redman, Sally Hawkins and others
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Vanishing Point’s The Destroyed Room opens in Edinburgh, the Hear Me Roar! festival of feminism begins in Lancaster and Jinny, a response to Look Back in Anger, premieres in Derby
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Stephen Daldry, Max Stafford-Clark, Lyndsey Turner and Nikki Amuka-Bird on the challenges and triumphs that come with staging Churchill’s work
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With cuts in funding, safer programming, shrinking audiences, new writing is the first casualty in this vicious circle. The Out of Joint founder says something has to change
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Enniskillen hosts international interpretations of the playwright’s works – on land and in lakes, in caves and a castle, with premieres by Sophie Hunter, Adrian Dunbar and Max Stafford-Clark
Plays like Rita, Sue and Bob Too must be part of the post-Weinstein debate